Watch in HD The Oscar Nominated Short Films 2013: Live Action (2013)
- MOVIE page: The Oscar Nominated Short Films 2013: Live Action (2013)
- Rate: 7.1/10 total 32 votes
- Genre: Drama
- Runtime: 115 min
- Budget: $700,000 (estimated)
- Stars: Najah Abdi Abdullahi, Shawn Christensen, Louise Laprade | See full cast and crew
- Original Music By: Jim Dooley (segment) Benjamin Hollway (segment) Raf Keunen (segment) Alexis le May (segment) Darren Morze (segment) Michele Motard (segment)
- Plot Keyword: Compilation | Academy | Awards | Oscars
- (in alphabetical order)
- Bryan Buckley segment
- Shawn Christensen segment
- Yan England segment
- Sam French segment
- Tom Van Avermaet segment
Plot: Collective screening of the Academy Award nominated short films from the Live Action category for 2013. | »
Story: Collective screening of the Academy Award nominated short films from the Live Action category for 2013.
Produced By:
- Bryan Buckley known as producer (segment)
- Lucy Daniels known as producer (theatrical release)
- Ellen De Waele known as segment producer
- Yan England known as producer (segment)
- Mara Kassin known as producer (segment)
- Andrew Napier known as producer (segment)
- Ariel Nasr known as producer (segment)
- Carter Pilcher known as producer (theatrical release)
- Damon Russell known as producer (segment)
- Matthias Schoenaerts known as associate producer
- Matthias Schoenaerts known as segment producer
- Najah Abdi Abdullahi known as Nadif
- Shawn Christensen known as Richie
- Louise Laprade known as Maria
- Luke Matheny known as Himself - Host
- Fawad Mohammadi known as Rafi
- Harun Mohammed known as Asad
- Jawanmard Paiz known as Ahmad
- Gérard Poirier known as Henry
- Fatima Ptacek known as Sophia
- Matthias Schoenaerts known as Nathan Rijckx
- Dana Segal known as Gabby
- Laura Verlinden known as Sarah Winters
Production Companies:
- Shorts International
The Oscar Nominated Short Films 2013: Live Action (2013) Review by Steve Pulaski from United States
"Death of a Shadow" - (Belgium/France - Directed by Tom Van Avermaet).
First up is Tom Van Avermaet's "Death of a Shadow," a twenty minuteshort concerning a photograph who has died and left with the job ofphotographing the shadows of those who have been met with untimelyfaith. That's about all I can say for this short. While shot withimpeccable style and disciplined, precise framing, there is littleexposition for how this science-fiction afterlife works. I'm unsure ofhow to stomach this short based on the limited explanation it give.Yet, I still have a strange admiration for its bewildering but equallyfascinating nature. Its lead character, played by Matthias Schoenaert,is intriguing, and there is a powerhouse scene involving a shadow beingreleased back to its beholder. This is a strange one to begin with -it's very ambiguous and open for some drastic interpretation - but it'salso one to see. Three stars.
"Henry" (Canada - Directed by Yan England).
Next on deck is Van England's "Henry," one of the most depressingthings on film I've seen in a long time. The title character, played byLouise Laprade, we discover, is an aging musician who performs with hiswife named Maria on stage. Knowing he has a special performance tonightwith his lady, he decides to begin his morning on the right foot with atrip out to breakfast by himself. When there, he encounters ominous menwho take him and trap him in an unknown place where he begins to seehis entire life flash before his eyes in a profoundly exhilarating, yethaunting way. This short fantastically portrays dementia in a way I'venever seen it before. It's used not as a gimmick or a way to employemotions, but as a genuine exercise in human sympathy and sorrow. It'sa perplexing ride, one that entirely hits home on being bleak and fullof emotion. It's a roller-coaster of a short that might have alsoworked as a black and white one to further emphasize its true nature.Three and a half stars.
"Curfew" (America - Directed by Shawn Christensen).
Shawn Christensen's "Curfew" is a wonderful exercise in style, emotion,human interaction, and existential purpose. Shot through a sensitivelens, capturing the seamy atmosphere of its world, this short isentirely baffling in why it works so well. It concerns a man namedRitchie (Christensen, himself), who is about to end his life in abathtub, when a phone call from his sister saves his life. His sister,whom he has scarcely spoken to after an accident, pleas that he comeand watch his niece Sophia (Fatima Ptacek) while she gets somethingsituated promptly. Ritchie is met with Sophia, a bossy little tyke, whohe begins to connect with on their small little outing, which is metwith lasting effect from both parties. I recently watched a film calledFor Ellen, about a man currently filing divorce papers with his wife,who desperately wants to spend time with his daughter before he maynever see her again. It was a fine film for the most part, but it wastoo concerned with intimacy and slow-moving conversation rather thandevelopment and character progression. "Curfew" is exactly what Iwanted from For Ellen; welcoming style, confident performances, darkenigma, a drop of quirkiness, and an entirely consuming narrative, notplagued by awkward silences and dead-end instances. "Curfew" won theBest Live Action Short award for good reason, as it is a deeplyaffecting and extremely confident debut from a director, I hope, isjust getting started. Four stars.
"Buzkashi Boys" (Afghanistan/America - Directed by Sam French).
"Buzkashi Boys" has intimacy and cultural relativism to a tune, butsuffers from a narrative that, while we may not be able to recall wherewe've seen it before, we are almost completely aware of its outcome. Itfollows two young Afghanistan boys, one named Rafi (Fawad Mohammadi),the son of a blacksmith, and the other, Ahmad (Jawanmard Paiz), a localpanhandler. Rafi and Ahmad have found solace in each other due to theiroppressively bleak lives. Because Rafi's father implores him to leadthe life of a noble blacksmith, the film does a delicate job ofcontrasting personal ambition from parental persuasion, which seems tobe a big problem in not just American countries, as we see. The titleof the short stems from a popular game which involves transporting agoat carcass to the end of the field on horseback. It's an interestinglittle feature, considering Rafi sees himself as playing this sportrather than doing what is father wants of him. Unfortunately, whentragedy strikes, the end pieces begin to fall in places we don't whenthem to fit in. Beautifully bleak cinematography and a direct approachto a subtle issue buoy this film to something resembling success. Threestars.
"Asad" (South Africa/America - Directed by Bryan Buckley).
Thankfully, we come end our journey with Bryan Buckley's "Asad," one ofthe more unfitting shorts of the bunch. It follows the title character(Harun Mohammed), a young Somalian boy coping with his war-torn coastalregion by remaining optimistic and possessing the ever-so-testing traitof mental loyalty to a goal. This is another film that predominatelycenters on cultural relativism, and conveys the message of finding hopeand reassurance in a place almost inherently vapid in it is subtle anddone in a way that doesn't manipulate the viewer. Wonderfully acted andcaptured under the tight direction of Buckley, "Asad" ranks as a strongnote to conclude this special on. Three and a half stars.
Full review at http://stevethemovieman.proboards.com
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